The Korean Cultural Centre Canada (KCC) is pleased to present <Artists Talk: Resonant Connections> with curator Seihee Shon and artists Jade Sujin LEE and Ryth Kesselring on Wednesday, September 2, 2026, at 6:00 PM (ET). <Resonant Connections> is a contemporary art project that explores the possibilities of creating art in collaboration with nature through site-responsive installations, sound art, and digital art. Conceived as a platform for artistic experimentation, the project invites artists to listen attentively to a specific forest ecosystem, engage with the living beings that inhabit it, and explore the aesthetics that emerge where the natural environment meets digital media. Event Details * Date: Wednesday, September 2, 2026, 6:00 PM (ET) * Venue: Korean Cultural Centre Canada (150 Elgin St #101, Ottawa, ON K2P 1L4) * Admission: Free * Registration: https://forms.gle/Y6X4zXVzQipnR7cy6 Resonant Connections <Resonant Connections> is a contemporary art project that highlights collaboration with nature through site-responsive installations, sound art, and digital art. Conceived as a research laboratory, it supports risk-taking and artistic experimentation. By listening attentively to the ecosystem of a specific forest environment, the participating artists engage with the living beings that inhabit it and explore the aesthetics emerging from digital realities within the forest. Baron Lanteigne, Caroline Gagné, Gabrielle HB, Jade Sujin LEE, Jean-Pierre Gauthier, and Ryth Kesselring explore the resonances between place, the soundscape, and today’s digital world. These works will be on view on 6 September in Sainte-Christine. The project is co-curated by Seihee Shon and Ryth Kesselring. About Curator and artsits  Seihee Shon Seihee Shon is a curator, writer and educator based in Seoul, Republic of Korea. Focusing on time-based media art and the intersection of art and technology, she explores questions of landscape, place, memory, and, more recently, ecological thought. Her latest projects and exhibitions include More Than Meets the Ear (2025, Seoul), Tuning (2023-2025, Seoul), Anywhere Arts (2024-2025, Seoul), Silent Walk (2023, Seoul), Walking Festival of Sound (2022, Seoul, Vancouver), Explore Sound (2022, Incheon), and Parallel Landscape (2019, Incheon). She studied History of Art, and Art Museum and Gallery Education. She is the founder of Organic Project, curatorial laboratory for time-based art. Jade Sujin LEE Jade Sujin LEE, Exhibition view of Polyphony Club: Mondegreen Expanded Edition, The WilloW, Seoul, 2025  Jade Sujin LEE explores a range of invisible signs and sensations, including light, memory, and sound, which appear in particular border areas of the everyday world. LEE imagines an arbitrary virtual world in which all beings, including humans, construct themselves. Based on the imagination, she reconstructs the fluid concepts that flow between the temporality of the ‘past-present-future,’ expressing them through various creative forms that encompass spatial installation, performance, narration, and video. Born and raised in downtown Seoul during the economic growth in the early 1980s, the artist has been interested in various characteristics of urbanization and industrialization, such as ‘confrontation and discrimination,’ ‘conflict and clash,’ ‘destruction and renewal,’ and ‘migration and settlement.’ In the process, the artist has discovered the various ways in which nature and disparate spaces and places are layered with time. She overlaps ‘individual/collective memories and narratives,’ ‘an imagination of a novel-like world beneath the surface of science fiction’, and the ‘primitive vitality that revives (or rehabilitates)’—which transform the state of ‘confrontation and conflict’ that has been continuously manifested since the transition to industrial society into a situation of ‘reconciliation and healing’—with specific situations, attempting to make the infinite possibilities compatible with them. Ryth Kesselring Ryth Kesselring, Abstractions géographiques_strophe d'épinettes, 2025  Born in Switzerland, Ryth Kesselring moved to Canada during her childhood. Her interdisciplinary research translates trough weavings, electronics and sound, creating interactive ecosystems that reflect on political and ecological issues. Her work draws parallels between the archival potential of textile objects and the memories emerging from audible materials. She holds a MFA in Fibres & Material Practices from Concordia University (2024) and her graduate studies were granted with the prestigious FRQSC, SSHRC and the Yvonne L. Bombardier Graduate Scholarships. Her work is supported by the Conseil des Arts et Lettres du Québec and has been awarded by the Culture Montérégie's Prix numérique (2021) and the Jury’s prize at the international Land Art event Créations-sur-le-champ (2024) among others. Her work has been shown nationally and internationally as at the Arte Documento gallery in Ensenada, Mexico (2023), the Diagonale gallery in Montreal (2025) and the art center Nabi in Seoul, South Korea (2025). She deepened her research though various residencies including the tExtilEs residency at EasternBloc in Montréal (2022) and the Jorisch family artist residency in Salzburg, Austria (2023). She lives and works as artist and educator in southern Quebec. (www.rytha-kesselring.com

Presented in connection with the KCC exhibition <Perhaps, All of Us> The Korean Cultural Centre Canada (KCC) is pleased to host a special Artist Talk with Park Hyesoo on Tuesday, August 25, 2026 at 5:00 PM (ET). Organized in conjunction with the exhibition <Perhaps, All of Us>, this talk offers audiences an opportunity to meet the artist, learn about the artist’s creative journey and gain deeper insight into their practice. Join us for this engaging occasion to connect directly with the artist, explore the diverse practices of contemporary Korean art, and discover the ideas and processes that extend beyond the exhibition space. Event Details * Date: Tuesday, August 25, 2026, 5:00 PM (ET)  * Venue: Korean Cultural Centre Canada (150 Elgin St #101, Ottawa, ON K2P 1L4) * Registration: https://forms.gle/svkQ7LubSrNtdD1h8 * Free admission Park Hyesoo 박혜수  Park Hyesoo (b. 1974) focuses on the concept of what society accepts as “universal.” Words such as “ordinary,” “us,” “family,” and “loss” seem commonplace and are routinely used in everyday life, yet beneath their familiar surfaces lies a margin of interpretation that can be subtly twisted or expanded at any time, depending on who writes these words and who reads them. The artist explores precisely these delicate gaps—the points at which meaning wavers and splits apart—to slowly unfurl linguistic distances and then unsettle them again with meticulous precision. Through this process, the audience is confronted with the blind spots of the collective that are often concealed beneath the idea of normality. <A place for anybody and somebody> consists of installation objects along with a video documenting a lecture-performance program presented at Korea Artist Prize 2019 at the National Museum of Modern and Contemporary Art, Korea. In this experimental performance, the artist poses a question to visitors: “On a 10-hour flight, to whom would you give the seat next to you?” The installation objects represent the seats of the “somebody” and the “anybody” directly chosen by the audience, revealing the invisible distance between oneself and others, as well as the boundaries of relationships. It prompts us to consider who exactly is included in the word “Us” and how far that sense of our distance extends. Park Hyesoo <A Place for Anybody and Somebody>(2020), Seoul Museum of Art Collection

Intersecting Identities, Lives: <Perhaps, All of Us> Comes to Ottawa The Korean Cultural Centre Canada (KCC) and the Seoul Museum of Art (SeMA) are pleased to present the touring exhibition <Perhaps, All of Us>, on view from Tuesday, August 25 to Wednesday, October 14, 2026. The exhibition is presented as part of the Touring K-Arts Project, supported by the Ministry of Culture, Sports and Tourism and administered by the Korean Foundation for International Cultural Exchange (KOFICE). Conceived in Seoul and presented as a traveling exhibition in Washington, D.C. and Ottawa, <Perhaps, All of Us> examines the shared sense of place between these capital cities. It explores key themes of publicness, historicity, and diversity through the lens of contemporary Korean art and the eyes of visionary artists Gala Porras-Kim, Ayoung Kim, Jaehun Park, Park Chan-kyong, Park Hyesoo, Shin Mi Jung, Jisun Shin, Eunu Lee, Lee JeeYang, Im Youngzoo, Jung Yeondoo, Young-jun Tak, and Jungwon Phee. Capitals function not only as political, administrative, and cultural centres, but also as spaces where diverse identities, memories, and relationships intersect. They also evolve as urban environments shaped by the accumulation of countless individual lives and experiences. Within this context, <Perhaps, All of Us> reflects on how we perceive and relate to one another, including which memories and values are preserved or excluded in society. The participating artists explore the intersection of personal experience and social reality through a wide range of media and perspectives. Their works reveal the norms and boundaries formed within urban spaces, the relationships between communities and others, and the emotions and memories often overlooked in everyday life. In doing so, the exhibition moves beyond individual or regional narratives to raise universal questions that resonate with contemporary audiences. <Perhaps, All of Us> is organized into three thematic sections. Part 1, <Our Unknown Country>, examines publicness through the dynamics of exclusion and hospitality that emerge along the boundaries between “us” and “others.” Part 2, <Time Out of Bounds>, recalls forgotten or silenced histories to reconsider how the present has been shaped through layers of accumulation and omission. Part 3, <Perhaps, All of Us>, confronts unfamiliarity and interpersonal difference while also exploring possibilities for coexistence grounded in diversity. Through the diverse social experiences and sensibilities captured in contemporary Korean art, <Perhaps, All of Us> invites visitors to empathize with the lives and perspectives of others, and to consider how such empathy may expand into meaningful solidarity. Exhibition Details - Exhibition: Perhaps, All of Us - Dates: August 25 – October 14, 2026 - Venue: Korean Cultural Centre Canada (150 Elgin St #101, Ottawa, ON K2P 1L4) - Opening & Artist Talk with Park Hyesoo: Tuesday, August 25, 5:00 PM (Registration recommended: https://forms.gle/3YCMbLvPRj7TNZU98) - Featured Artists: Gala Porras-Kim, Ayoung Kim, Jaehun Park, Park Chan-kyong, Park Hyesoo, Shin Mi Jung, Jisun Shin, Eunu Lee, Lee JeeYang, Im Youngzoo, Jung Yeondoo, Young-jun Tak, and Jungwon Phee

Presented in conjunction with the KCC exhibition <Hanji and Minhwa: An Encounter> As part of the exhibition <Hanji and Minhwa: An Encounter>, the Korean Cultural Centre Canada will present the hands-on workshop <Chorong: A Traditional Korean Portable Lantern Workshop> on August 7, 2026.  In this workshop, participants will explore the beauty and cultural significance of chorong, a traditional Korean portable lantern, while creating their own lantern using hanji (traditional Korean paper). Through this hands-on experience, participants will discover the craftsmanship, history, and aesthetic values embodied in Korean traditional culture.  Workshop Details  - Workshop: Chorong: A Traditional Korean Portable Lantern Workshop  - Date: Friday, August 7, 2026  - Time: 10:00–11:30 AM / 4:00–5:30 PM / 6:00–7:30 PM (ET) (* The 6:00–7:30 PM session of the Chorong: A Traditional Korean Portable Lantern Workshop is now fully booked.)  - Venue: Korean Cultural Centre Canada (150 Elgin Street, Ottawa, ON)  - Registration: https://forms.gle/w7LCaCzHVbt8rw998 The Korean Cultural Centre Canada is pleased to present <Hanji and Minhwa: An Encounter>, on view from June 25 to August 12, 2026, featuring artists LEE Seung-chul, KIM Kang-mi, KIM Sun-hee, KIM Su-mi, NAM Jung-eun, YUN Su-kyoung, LEE Hee-jin, and IM Jin-sung.  This exhibition explores points of intersection between material and time, memory and perception, and tradition and the present through works that reinterpret hanji (traditional Korean paper) and minhwa (Korean folk painting) through a contemporary lens. The participating artists construct their own visual languages using diverse traditional materials and visual elements, including hanji, natural dyeing techniques, and munjado (letter paintings). Rather than simply reproducing historical forms, their works reconnect the temporal and sensory dimensions embedded within tradition with the language of the present. Exhibition Details - Exhibition: Hanji and Minhwa: An Encounter - Dates: June 25 – August 12, 2026 - Venue: Korean Cultural Centre Canada (150 Elgin St #101, Ottawa, ON K2P 1L4) - Featured Artists: LEE Seung-chul, KIM Kang-mi, KIM Sun-hee, KIM Su-mi, NAM Jung-eun, YUN Su-kyoung, LEE Hee-jin, IM Jin-sung - Exhibition Curator: LEE Seung-chul

Presented in conjunction with the KCC exhibition <Hanji and Minhwa: An Encounter> Join participating artists KIM Sun-hee, KIM Su-mi, YUN Su-kyoung, and IM Jin-sung for the minhwa workshop <Tracing the Origins of Derpy>. Inspired by the tiger character “Derpy” from the animated film <K-pop Demon Hunters>, this workshop explores traditional imagery found in hojakdo (tiger-and-magpie paintings), focusing on the symbolic meanings of tigers and magpies in Korean folk painting. Participants will learn about these traditional motifs and create their own hojakdo paintings through a hands-on experience. Event Details Date:  - Friday, June 26, 2026 | 6:00–8:00 PM (ET) (Korean / English) - Saturday, June 27, 2026 | 6:00–8:00 PM (ET) (Korean / English) Venue: Korean Cultural Centre Canada (150 Elgin Street, Unit 101, Ottawa, Ontario K2P 1L4)  Registration:  - Friday, June 26, 2026 | 6:00–8:00 PM (ET) (Korean / English): https://forms.gle/dRDSBzCvpK98Etn87 - Saturday, June 27, 2026 | 6:00–8:00 PM (ET) (Korean / English): https://forms.gle/w5zsmDJvnBEA3NVc8 Update: Registration for this workshop is now closed due to overwhelming response. Thank you for your interest Admission: Free KIM Sun-hee 김선희 KIM Sun-hee bridges the worlds of ceramic art and traditional minhwa painting. Viewing ceramics as "a quiet universe shaped through the language of earth and fire," she uses clay as a canvas, inscribing Korean folk flowers onto the surfaces to create a profound artistic dialogue across time and space.  KIM Su-mi 김수미 KIM Su-mi creates narrative and poetic imagery on dak (handmade mulberry paper) infused with natural dyeing techniques. Viewing human life as an extension of nature’s recurring cycles, she treats stains and diffusion as more than mere material effects; instead, they embody the profound structures of creation and dissolution, presence and absence. YUN Su-kyoung 윤수경 Grounded in the techniques and motifs of traditional Korean painting, YUN Su-kyoung’s work explores the concepts of rest and reflection in contemporary life. By incorporating tactile natural materials like clay, she reminds us that genuine rest is not a distant ideal, but something found within the spaces of everyday life. IM Jin-sung 임진성 Using hanji as a foundational medium, IM Jin-sung explores intersecting layers of materiality, time, and sensory experience. Moving beyond the traditional role of paper as a mere surface, he expands its physical and emotional qualities into a distinct contemporary visual language.